Further Inspiration and a more Contemporary Colour Palette

After deciding that my colour palette wasnt right I have looked at rock layers for inspiration. I still want to keep my original drawings of fossils and textures but I want to layer these elements together and incorporate brighter colours to make it more contemporary as I have noticed after looking at bedding within the current market that these colours are popular. 

Feeling restricted just using paint and pen/pencils I decided to start using Lino which gave me the 'organic' feel which originally drew me to the theme of Evolution. Greg from Diane Harrison also agreed that I should work with different medias and liked the idea of Lino when I saw him for a tutorial. Although he did agree that it was very time consuming! It helped seeing someone from the company who we were designing for as I find it really valuable getting his opinion on my work. It is also good to seek advice from him as he obviously understands the market being in that profession.

I think the Lino worked well as I created different effects I thought this would give me a good variety of work to work with within photoshop. I have also this week refined my colour palette(shown below) I want to make sure that even though I am adding lots of elements together I want to ensure my patterns look like a collection.

These (below)are the first prints I designed within photoshop,I felt that the designs were not really fitting with my previous textural work with fossils and the starting point of Evolution.  On reflection I knew this but my tutorial session only reinstated this realisation; they did not follow on from my initial work and so I have understood that this way of creating pattern does not work. I think the patterns have too much going on; I like the Lino but it does not need the drawing on top. I understand that in this case that simplifying my designs is the best way forward. I also want to use my chosen final colour palette in a more successful and controlled way.Both of these first patterns do not look like they belong together in a collection, something I need to work on.

Diane Harrison Studio Visit and Contextual Influences

After visiting the Diane Harrison Studio I was more inspired to do work! I instantly realised that their patterns were very illustrative and colourful. 

I realised after the visit that my colour palette from my fossil work, (particularly from my pictures from the Manchester Museum) were too dull for the brief of Diane Harrison. I needed to look for other sources for a brighter colour palette, so I went back to my Pinterest mood board for inspiration.
Ensuring that my prints remained contemporary and especially looking at patterns in repeat I was drawn to the bright bold prints of Marimekko. I have always admired their work but they have a lot of relevance within this project as one of the requirements for the brief was a pattern in repeat.

(Iltavilli Wallpaper Marimekko)

I decided that I would design my patterns for bedware I chose this as I have not designed for bedware before and so I wanted a new challenge. Especially as going to the Diane Harrison Studio I realised how much I craved a career within digital print. I want my knowledge of making patterns for all aspects of interiors to be broad, I was really influenced by the beautiful patterns within Diane Harrison.
I looked at Harlequin Bedlinen; just like Diane Harrison their Bedding is very contemporary and pretty. I was drawn to their bright colours and use of colourful repeat. As the brief states I need to make my own patterns mostly in repeat so looking at their bedlinen is a good source of inspiration. I also like how their bedlinen makes a statement within a room, I hope my patterns will do the same.

 (Harlequin Bedding)

Inspiration

I visited the Manchester Museum for inspiration this week, there were lots of starting points that I could consider for my theme but I was really drawns to fossils and rock. I found lots of textured fossils and surfaces to draw from. I was particularly drawn to the patterns and textural elements of my pictures and the very classic shapes of the fossils.

I think one thing I have noticed after picking this theme is that if I stick to the realistic colours of fossils my colour palette could be just too dull. I want my designs to be bright, so this is something I need to consider. 
 It has become apparent that texture (particularly from the fossils) has become very important to my work. I came across a fashion collection 'Fossil Warriors' by Alice Palmer which I thought was really inspiring and relevant to my theme of Evolution. The collection was inspired by the textures of prehistoric anthropod shells.

http://www.pleatfarm.com/2011/02/14/alice-palmer-ss-2011-fossil-warriors/

 I want to capture the same textural qualities within my own work which I have noticed within my first few drawings;

I have also been looking at other artists for inspiration as I think it is important to have lots of influences before making my patterns.I came across the work of Katherine Lloyd, she makes features for interiors and gardens with a very 'earthy and organic' feel, something that I would like to reflect within my own work.She also concentrates on swirls which I think is a big part in my work.

When I transfer my drawings to pattern designs I want the elements of my drawings to be clear. I have always worked in the way that my digital prints end up looking quite illustrative. I like to show that all my patterns will start from my drawings. Just like the company Publisher Textiles. I have been very influenced by their work as they have drawn elements within their own work, creating unique custom made patterns. They use very traditional methods of hand screen printing, I do not wish to use hand screen printing but I definately want to create the effect of an illustrative pattern by using my drawings. I also want to start working with Lino to try and create a 'hand made' feel to my work and also to use a variation of media.

(Publisher Textiles)